出刊年月/Date of Publishing

2026.09

所屬卷期/Vol. & No.   第56卷第3期 Vol. 56, No. 3

類型/Type                 研究論文 Research Article

篇名/Title
文學於公共空間中的生成、實踐與傳播：以一九四○年代法國存在主義文學公共領域為例
Formation, Practice, and Transmission in Literary Public Spaces: A Case Study of the Existentialist Public Sphere in 1940s France

作者/Author
黃慧玉 Huei-yu Huang

頁碼/Pagination
pp. 333-389

摘要
本文以哈伯瑪斯公共領域理論為視角，探討一九四○年代法國存在主義文學如何透過空間、文本與媒介形構文學公共領域。首先，分析沙特等人在咖啡館等公共空間的創作實踐，揭示文學生成與社會場域的互動；其次，探討文學如何將私人經驗轉化為公共倫理辯證，召喚讀者主體性；最後，以期刊《摩登時代誌》為例，說明作品如何經由媒介守門員篩選進入公共討論。結論指出，文學不僅是審美活動，更是公共實踐，其流通乃空間、文本與媒介的動態互構。即使在網路分眾時代，文學公共領域透過虛實空間的重新建構，仍具民主討論與社會批判的潛能。

Abstract
This paper draws on Jürgen Habermas’s theory of the public sphere to examine how French existentialist literature of the 1940s constituted a literary public sphere through the interrelated dimensions of space, text, and media. First, it analyzes the creative practices of Jean-Paul Sartre and his contemporaries in public spaces such as cafés, revealing the interaction between literary production and the social sphere. Second, it explores how literary works transform private experience into public ethical reflection, thereby engaging readers as active subjects. Third, using the journal Les Temps modernes as a case study, it examines how literary works entered public discussion through the filtering of media gatekeepers. The paper concludes that literature is not merely an aesthetic activity but also a form of public practice, and that its circulation is shaped by the dynamic interplay of space, text, and media. Even in an era of fragmented online publics, the literary public sphere retains the potential to contribute to democratic deliberation and social critique through the reconstruction of interconnected physical and virtual spaces.

關鍵字/Key Word
公共空間、文學公共領域、存在主義、哈伯瑪斯、媒介守門員
public space, literary public sphere, existentialism, Habermas, media gatekeepers

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DOI
https://doi.org/10.7015/JEAS.202609_56(3).0001

學門分類/Subject
文學 Literature